Konstruksi Genosida Palestina Melalui Fotografi Motaz Azaiza di Media Sosial Instagram
DOI:
https://doi.org/10.62383/filosofi.v2i1.460Keywords:
Genocide, Palestine, Photojournalism, Peirce's, Semiotics, InstagramAbstract
This study aims to analyze the representation of the Palestinian genocide through photographic works uploaded by @Motaz_Azaiza on Instagram. Using a qualitative method with Charles Sanders Peirce's semiotics approach, this research focuses on analyzing visual elements such as gestures, scenes, colors, and social contexts in eight selected photos. The findings reveal that Motaz Azaiza's photographs effectively represent the impacts of the Palestinian genocide, both physically and emotionally, through visual symbolism such as ruined buildings, victims' expressions, and social narratives. As a medium of visual communication, these works not only document events but also serve as advocacy tools to raise global awareness, foster empathy, and encourage tangible actions toward humanitarian issues. By utilizing Instagram, these photos reach a broader audience, demonstrating how photojournalism can act as an effective medium in strengthening global solidarity for humanitarian tragedies. This study provides insight into the crucial role of conflict visualization in creating narratives relevant to the social media era.
References
Budiman, A (2019). Genosida Dalam Komik Footnotes In Gaza: Analisis Semiotika Charles Sanders Peirce. Ushuluddin dan Humaniora. Universitas Islam Negeri Antasari
Enrieco, E., dan Herry. (2019). Analisis Human Interest Pada Pameran Foto Karya Mahasiswa Fakultas Ilmu Komunikasi Dan Bahasa Ubsi. Komunika: Journal of Communication Science and Islamic Da’wah Volume 3 (1)
Erlyana, Y., dan Setiawan. (2019) Analisis Komposisi Fotografi Pada Foto Editorial “Elephants” Karya Steve Mccurry. Jurnal Titik Imaji, Volume 2 Nomor 2: 71-79
Faturahman, W., (2022). Analisis Karya Fotografi Pieter Hugo “Rwanda #14”. Rekam: Jurnal Fotografi, Televisi, Animasi, Vol. 18 No. 2
Ilmi, Haryo B., dan Islam. (2021). Analisis Semiotika Terhadap Karya Fotografi Jurnalistik Media Musik Online Ronascent.Biz. Jurnal Barik, Vol. 2, No. 1, Tahun 2021, 236-248
Kusuma, S. S. (2022). Analisis Arah Cahaya. Jurnal IMAJI: Film, Fotografi, Televisi, dan Media Baru. Vol. 13 No. 2
Morrison, G. (2017). Understanding Research Methods in Education. London: Sage Publications.
Ndoen, R. (2021). Fotografi Arsitektur Eksterior dan Landscape di Perkotaan. Jurnal Ilmiah Arsitektur Universitas Warmadewa, pp. 125-133
Pangestu, R. F. F., (2023). Peran Fotografi Jurnalistik pada Era Digital. Jurnal Riset Jurnalistik dan Media Digital, Vol. 3, No. 2
Romadhoni A., (2023). Pengertian Fotografi Jurnalistik Pada Media Online. Jurnal IMAJI: Film, Fotografi, Televisi, dan Media Baru Vol. 14 No. 2
Sari, A. Y., (2018). Bringing the War Home: Peranan Fotografi oleh Media Massa Amerika Serikat dalam Wacana War on Terror di Afganistan dan Irak (2001–2013).
Sihabuddin, M. A., (2019). Genosida dalam Kasus Holocaust: Sebuah Perenungan Komunikasi Dakwah terhadap Strategi Politik Zionisme. Jurnal Komunikasi Islam Dan Kehumasan (JKPI), 3(1), 45-59.
Sugiyono, (2015). Metode Penelitian Kuantitatif, Kualitatif, dan R&D. Bandung: Alfabeta
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.