Busana Pengantin Koto Gadang Bermotif Pucuak Rabuang sebagai Penguat Identitas Budaya
DOI:
https://doi.org/10.62383/filosofi.v3i2.1135Keywords:
Bridal Attire, Cultural Preservation, Koto Gadang, Pucuak Rabuang, Traditional Fashion.Abstract
Bridal attire is an important element in a wedding ceremony that not only functions as a body covering, but also represents cultural identity. The final project work entitled Koto Gadang Bridal Attire with Pucuak Rabuang Motif Application aims to design, realize, and display Koto Gadang bridal attire by applying the Pucuak Rabuang motif as an aesthetic and symbolic element. The motif was chosen because it symbolizes growth, hope, and the beginning of a new life that is in line with the values of marriage. The process of creating the work was carried out through three stages, namely exploration, design, and realization. The exploration stage includes observation, interviews, and literature studies. The design stage includes the preparation of mood boards, sketching, design selection, and design refinement. The realization stage includes pattern making, clothing construction, and the application of embroidery and sequin embroidery techniques. The dresses were made using bridal satin, Pandai Sikek songket, and brocade tulle with dominant colors of maroon, cream, and gold. The final work consists of one ready-to-wear dress, one deluxe ready-to-wear dress, and two haute couture bridal dresses. This work is expected to contribute to innovation in Minangkabau bridal wear while preserving the cultural values inherent in the Koto Gadang traditional attire.
References
Akbar, T., dkk. (2022). Pengaruh nilai Islam pada visual pakaian pengantin adat Minangkabau Koto Gadang. Andharupa. https://doi.org/10.33633/andharupa.v8i02.5268
Aminatunnisak, & Yulistiana. (2021). Pengembangan desain busana pengantin dengan tema The Bentenan Is Asmaralaya of Tondano. BAJU: Journal of Fashion and Textile Design. https://doi.org/10.26740/baju.v2n2.p69-77
Ilyasari, N. L. I. S. W., Endang, P., Indah, H., Nurul, H., Agus, S., Annisau, N., & Rizki, Y. (2022). Cipta busana inception trend fashion 2022. Cerdas Ulet Kreatif.
Iswandi, H., dkk. (2024). Analisis interpretasi pada kain Songket Silungkang melalui pendekatan hermeneutika Wilhelm Dilthey. Judikatif. https://doi.org/10.35134/judikatif.v6i2.227
Jasmine, A., & Marniati. (2020). Penerapan crinoline sebagai bahan pelapis dalam interfacing pada rok busana pesta bertema Fluffy. BAJU: Journal of Fashion and Textile Design. https://doi.org/10.26740/baju.v1n2.p99-107
Kardiansyah, D., & Fatimah, D. D. S. (2015). Perancangan sistem pakar identifikasi kerusakan mesin jahit single needle. Jurnal Algoritma, 12(2), 426–431. https://doi.org/10.33364/algoritma/v.12-2.426
Kartikasari, P., & Yulistiana, Y. (2021). Bunga Rafflesia arnoldii sebagai inspirasi penciptaan gaun pengantin. Prosiding Pendidikan Teknik Boga Busana.
Ningrum, H., dkk. (2018). Reinterpretasi motif pucuak rabuang pada media teko. Besaung: Jurnal Seni Desain dan Budaya. https://doi.org/10.36982/jsdb.v3i2.490
Pratama, D. A., & Syafrini, D. (2025). Upaya konservasi tenun Songket oleh masyarakat Nagari Pandai Sikek. Culture & Society: Journal of Anthropological Research. https://doi.org/10.24036/csjar.v7i1.155
Putri, J. F. A., & Suhartini, R. (2022). Eksplorasi ragam hias komodo dengan teknik lekapan tali pada gaun pengantin. BAJU: Journal of Fashion and Textile Design, 3(2), 85–95. https://doi.org/10.26740/baju.v3n2.p85-95
Rahmawati, R., & Indarti, I. (2021). Penerapan single edge gathering pada ekor busana pengantin dengan sumber ide gelombang air Danau Lipan. Prosiding Pendidikan Teknik Boga Busana, 16(1).
Restyawati, M. D., & Hidayati, L. (2020). Penerapan aplikasi payet dan akrilik pada busana pesta malam sebagai sumber ide Star Night. BAJU: Journal of Fashion and Textile Design. https://doi.org/10.26740/baju.v1n1.p73-81
Sephia, A. N., dkk. (2023). Membangkitkan kecintaan generasi masa kini terhadap Songket Pandai Sikek warisan budaya Minangkabau.
Shintia, D., & Nugraha, R. (2017). Eksplorasi teknik sablon pada produk ready-to-wear dengan inspirasi lukisan Jackson Pollock. E-Proceeding of Art and Design, 4(3), 897.
Umami, M. Z., & Anggarani, R. K. (2021). Busana pengantin wanita modifikasi kebaya dari Indonesia dan lehenga dari India. Garina, 13(1). https://doi.org/10.69697/garina.v13i1.56
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.



