Pengelolaan Unsur Sinematografi oleh Director of Photography pada Film Dokumenter “Mindful Sip: Matcha Beyond The Trend”
DOI:
https://doi.org/10.62383/ekspresi.v3i2.1083Keywords:
Cinematography, Director of Photography, Documentary Film, Matcha, Visual NarrativeAbstract
The development of documentary films in Indonesia has encouraged the need for presenting reality in an informative manner while maintaining strong visual quality. Documentary films were no longer viewed merely as a medium for recording facts, but also as a creative medium capable of delivering social messages through a cinematic approach. Cinematography became an important element because it played a role in constructing meaning, atmosphere, and viewing experience through well-directed visual management. This study discussed the management of cinematographic elements by the Director of Photography in the documentary film “Mindful Sip: Matcha Beyond The Trend”, which raised the phenomenon of increasing matcha consumption as part of the lifestyle trend among young people. The method used was a creative approach based on expository documentary through the stages of pre-production, production, and post-production. The entire creation process was focused on concept planning, image capturing, and visual as well as narrative refinement so that the documentary message could be conveyed effectively. The results showed that matcha had developed into a symbol of a healthy, productive, and aesthetic lifestyle, yet awareness of responsible consumption was often neglected. The management of camera angle, camera movement, type of shot, and composition was proven to strengthen visual representation and help audiences understand the phenomenon more critically. Therefore, cinematography played an important role not only in producing attractive visuals, but also in clarifying the documentary’s message regarding the relationship between consumption trends and bodily experience.
References
Amalia, S. H., Komariah, K., & Syuderajat, F. (2025). Implementasi sinematografi oleh director of photography dalam produksi video feature Beauty after life. Jurnal Pengabdian Kepada Masyarakat Indonesia (JPKMI), 5(2), 55–67. https://doi.org/10.55606/jpkmi.v5i2.6223
Ascher, S., & Pincus, E. (2023). The filmmaker’s handbook: A comprehensive guide for the digital age (5th ed.). Plume.
Azizah, I. N., Wirakusumah, T. K., & Prastowo, F. X. A. A. (2025). Penerapan teknik pengambilan gambar oleh director of photography dalam pembuatan video feature Makanan yang terselamatkan, harapan yang tersampaikan. Sewagati: Jurnal Pengabdian Masyarakat Indonesia, 4(2), 296–315. https://doi.org/10.56910/sewagati.v4i2.2497
Baksin, A. (2009). Videografi operasi kamera dan teknik pengambilan gambar. Windy.
Bowen, C. J. (2018). Grammar of the shot (4th ed.). Focal Press. https://doi.org/10.4324/9781315208398
Brown, B. (2021). Cinematography: Theory and practice—Image making for cinematographers and directors (3rd ed.). Routledge. https://doi.org/10.4324/9780429353239
Canavaro, F. F., & Manesah, D. (2025). Penerapan teknik camera angle pada film Kang Mak Indonesia karya Herwin Novianto. Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi, 2(1), 30–38. https://doi.org/10.62383/imajinasi.v2i1.538
Dwi Putra, F. R., Wirakusumah, T. K., & Prahatmaja, N. (2025). Peran director of photography dalam film dokumenter Sehelai kain harapan dengan penerapan teknik sinematografi. Jurnal Riset Rumpun Seni, Desain dan Media, 4(1), 263–277. https://doi.org/10.55606/jurrsendem.v4i1.5312
Farrell, M. H., & Manesah, D. (2025). Analisis teknik camera shot pada film Surat cinta untuk Starla sutradara Rudi Aryanto. Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain, 2(1), 198–204. https://doi.org/10.62383/realisasi.v2i1.527
Haris, R. A. K., & Manesah, D. (2025). Analisis film Penyalin cahaya dalam membangun suspense dengan teknik handheld. Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual, 2(1), 72–81. https://doi.org/10.62383/misterius.v2i1.534
Mahesa, I. A., Sugito, T., & Yanto, A. (2025). Penerapan teknik sinematografi oleh director of photography pada video feature Ibu untuk bumi bertema gaya hidup berkelanjutan. Nusantara: Jurnal Pengabdian Kepada Masyarakat, 5(3), 274–283. https://doi.org/10.55606/nusantara.v5i3.6386
Muzakki, H., & Adiprabowo, V. D. (2025). Analisis isi teknik pergerakan kamera dalam film Penyalin cahaya. Jurnal SASAK: Desain Visual dan Komunikasi, 7(1). https://doi.org/10.30812/sasak.v7i1.4786
Pratista, H. (2017). Memahami film (Edisi ke-2). Montase Press.
Putra, F. R. D., Wirakusumah, T. K., & Prahatmaja, N. (2025). Peran director of photography dalam film dokumenter Sehelai kain harapan dengan penerapan teknik sinematografi. Jurnal Riset Rumpun Seni, Desain dan Media, 4(1), 263–277. https://doi.org/10.55606/jurrsendem.v4i1.5312
Rahmadina, A., Komariah, K., & Yanto, A. (2025). Penerapan unsur sinematografi oleh director of photography dalam pembuatan film dokumenter Tanah dan waktu. Jurnal Pengabdian Kepada Masyarakat Nusantara, 6(2), 3133–3152. https://doi.org/10.55338/jpkmn.v6i2.6294
Ramadhani, R., et al. (2025). Perilaku konsumsi matcha pada generasi Z: Antara tren dan kesadaran kesehatan. Jurnal Sosial dan Budaya, 8(2), 112–130.
Sailan, Z. D., Susanti, S., & Wirakusumah, T. K. (2025). Peran director of photography dalam produksi video feature Kabaret Bandung: Seni berbicara, bahasa berkarya dengan penerapan teknik sinematografi. Sewagati: Jurnal Pengabdian Masyarakat Indonesia, 4(2), 89–100. https://doi.org/10.56910/sewagati.v4i2.2353
Samtrimandasari, E. N. A. (2023). Analisis angle kamera point of view (POV) dalam membangun penceritaan terbatas pada film Searching. Sense: Journal of Film and Television Studies, 6(1), 13–24. https://doi.org/10.24821/sense.v6i1.9543
Saputra, M. D., Koswara, I., & Mahameruaji, J. N. (2024). Penggabungan gaya ekspositori dan observasional dalam produksi film dokumenter. Comit: Communication, Information and Technology Journal, 2(2). https://doi.org/10.47467/comit.v2i2.3807
Tama, D. M. (2025). Analisis teknik pengambilan gambar sinematografi adegan suspense dalam film animasi 3D Ficusia. Journal of Digital Education, Communication, and Arts (DECA), 7(1), 20–38. https://doi.org/10.30871/deca.v7i1.8416
Vineyard, J. (2022). Setting up your shots: Great camera moves every filmmaker should know (3rd ed.). Michael Wiese Productions.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Ekspresi : Publikasi Kegiatan Pengabdian Indonesia

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.



