Penerapan Teknik Sinematografi oleh Director Of Photography pada Produksi Video Feature “Jejak Rasa: Akar dari Tanah Priangan”
DOI:
https://doi.org/10.62383/ekspresi.v3i2.1079Keywords:
Camera Movement, Cinematography Techniques, Composition, Director of Photography, Video FeatureAbstract
IIn the process of creating the feature video "Jejak Rasa: Akar dari Tanah Priangan," the author serves as the Director of Photography, responsible for managing the visual aspects to effectively and comprehensively convey the message. This is achieved through the application of various cinematographic techniques, such as careful selection of camera angles, types of shots, camera movements, and in-depth composition. The main goal of this feature video production is to showcase the cultural value of cassava as an essential part of the culinary identity of Tanah Priangan, while also highlighting its transformation from traditional food to modern culinary innovation with contemporary relevance and appeal. This work is expected to provide a more comprehensive visual representation of local food culture and raise public awareness about the importance of preserving culinary heritage as part of the nation's cultural wealth. The application of cinematographic techniques used not only strengthens the delivery of information but also effectively enhances the aesthetic quality of the work as a visual communication medium that can impact the audience emotionally and intellectually.
References
Bowen, C. J. (2018). Grammar of the shot (4th ed.). Routledge.
Brown, B. (2021). Cinematography: Theory and practice (4th ed.). Routledge.
Dhany, A. U., & Manesah, D. (2024). Penerapan teknik objektive camera angle dalam membangkitkan dramatis film "Pulang". Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain, 1(1), 15–26.
Elkins, D. E. (2021). The camera assistant's manual (7th ed.). Routledge. https://doi.org/10.4324/9781003080268
Herminingrum, S. (2019). The genealogy of traditional Javanese cassava-based foods. Journal of Ethnic Foods, 6(1). https://doi.org/10.1186/s42779-019-0015-5
IAIN Curup. (2026). Workshop produksi program televisi tingkatkan kompetensi mahasiswa KPI IAIN Curup. Diambil dari https://iaincurup.ac.id/berita/detail/workshop-produksi-program-televisi
Lancaster, K. (2023). Digital filmmaking: An introduction. Routledge. https://doi.org/10.4324/9781003296546
Mercado, G. (2021). The filmmaker's eye. Focal Press.
Mistry, J., et al. (2015). Indigenous identity and environmental governance in Guyana, South America. Cultural Geographies, 22(1), 689–712. https://doi.org/10.1177/1474474014560998
Muafa, I., & Junaedi, F. (2020). Model manajemen produksi film dokumenter Bulu Mata karya Tonny Trimarsanto. Channel: Jurnal Komunikasi, 8(1). https://doi.org/10.12928/channel.v8i1.14428
Musthafa, S. K. (2019). Film studies. School of Distance Education, Calicut University.
Nofvlaminsyah, T., & Syafriwaldi. (2019). Peran director of photography dalam pembuatan video profil Nagari Kumanis. Istinarah: Riset Keagamaan, Sosial dan Budaya, 1(1), 92–101.
Politeknik Negeri Lampung. (2025). Perkuat link and match, Polinela susun kurikulum produksi media yang adaptif dan visioner. Diambil dari https://polinela.ac.id/perkuat-link-and-match-polinela-susun-kurikulum-produksi-media-yang-adaptif-dan-visioner
Prabowo, M. (2020). Pengantar sinematografi. The Mahfud Ridwan Institute.
Pranata, R., Putri, A., & Siregar, F. (2024). Camera movement dan ritme visual dalam video feature. Jurnal Sinematografi Indonesia, 4(1), 15–29.
Pullen, C. (2022). Materiality, mediation and affective encounters. International Review for the Sociology of Sport, 57(3). https://doi.org/10.1177/10126902211032166
Rabiger, M., & Hurbis-Cherrier, M. (2013). Directing: Film techniques and aesthetics (5th ed.). Focal Press.
Sari, R. P., & Abdullah, A. (2020). Analisis isi penerapan teknik sinematografi video klip monokrom. Jurnal Riset Mahasiswa Dakwah dan Komunikasi, 1(6), 418–423.
Stornaiuolo, A., & Garg, R. (2025). Data reels: An analytic approach to creating data stories in video analysis. Dalam Proceedings of the 19th International Conference of the Learning Sciences - ICLS 2025 (hlm. 1158–1165). International Society of the Learning Sciences. https://doi.org/10.22318/icls2025.400632
Sung, H. (2022). Decolonising cinematography education. Film Education Journal, 5(2). https://doi.org/10.14324/fej.05.2.05
The University of Sydney. (2026). MECO1004: Introduction to media production. Diambil dari https://www.sydney.edu.au/units/MECO1004
Thoppil, J., & Pandy, M. R. (2023). Films as emergent educational resources in Indian upper primary social studies classrooms. Social Studies Research and Practice. https://doi.org/10.1108/ssrp-03-2023-0022
Universitas Bina Sarana Informatika. (2025). Peran editor dalam film dokumenter Secangkir Warisan. Diambil dari https://repository.bsi.ac.id/index.php/repo/viewitem/11589
Universitas Esa Unggul. (2025). Digital content creation - Fakultas Ilmu Komunikasi. Diambil dari https://falkom.esaunggul.ac.id/digital-content-creation
Universitas Padjadjaran. (2025). Selayang pandang - Manajemen Produksi Media - Sekolah Vokasi Universitas Padjadjaran. Diambil dari https://vokasi.unpad.ac.id/program-studi/manajemen-produksi-media/selayang-pandang
Wikayanto, A., et al. (2023). Aesthetic morphology of animation. Harmonia: Journal of Arts Research and Education, 23(2). https://doi.org/10.15294/harmonia.v23i2.41668
Yan, H., & Latib, L. A. (2025). Exploring practical implementation and effects of integrated media skills in short video production. Dalam Proceedings of the 2025 4th International Conference on Science Education and Art Appreciation (SEAA 2025). Atlantis Press. https://doi.org/10.2991/978-2-38476-452-5_66
Yasmin, Setianti, Y., & Agung, F. A. (2017). Representasi eksploitasi satwa dalam film Rise of the Planet of the Apes. ProTVF, 1(2), 151–161.
Zaim, M., et al. (2022). Sundanese culture representation in tourism marketing. The Asian Journal of Technology Management, 15(3). https://doi.org/10.12695/ajtm.2022.15.3.3
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Ekspresi : Publikasi Kegiatan Pengabdian Indonesia

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.



